TRILOGY commences its journey in 1962, when at the age of 32, Lyons switched to a 35mm camera. Formally educated in literature and drama, and newly appointed as Associate Director and Curator of Photography of the George Eastman House, Lyons began to explore the use of language in imagery, by incorporating signage, advertisement and posters, to form visual metaphors. Along with the other photographers of his generation such as Gary Winogrand and Lee Friedlander (who’s first one man exhibition was organized by Lyons in 1963), Lyons’ “snap shots” of the American landscape explored fragments of contemporary culture. In addition, he became increasingly aware of the dialectic nature of sequencing. Notations in Passing is considered a seminal photographic publication for this reason.
Nathan Lyons: Trilogy
TRILOGY commences its journey in 1962, when at the age of 32, Lyons switched to a 35mm camera. Formally educated in literature and drama, and newly appointed as Associate Director and Curator of Photography of the George Eastman House, Lyons began to explore the use of language in imagery, by incorporating signage, advertisement and posters, to form visual metaphors. Along with the other photographers of his generation such as Gary Winogrand and Lee Friedlander (who’s first one man exhibition was organized by Lyons in 1963), Lyons’ “snap shots” of the American landscape explored fragments of contemporary culture. In addition, he became increasingly aware of the dialectic nature of sequencing. Notations in Passing is considered a seminal photographic publication for this reason.