John Wood’s work is often referred to as “quiet protest” and a plea for his viewers’ awareness. Known as a master of process, Wood challenged traditional photography and incorporated a variety of mediums into his work. His multi-layered compositions incorporate photography, collage, cliché verre, solarization, mixed media, offset lithography, and drawing, which focus on social and environmental issues that have motivated Wood’s works since the early 1960’s.
His current installation at Bruce Silverstein Gallery showcases several of his most politically motivated pieces that were included in his traveling retrospective book, On the Edge of Clear Meaning (Steidl, 2009). Wood addresses issues such as gun violence, nuclear waste, and ecological concerns without introducing any of his own personal opinions or viable solutions.