At the J. Paul Getty Museum, “Working Together: The Photographers of the Kamoinge Workshop” is an engrossing exhibition that charts the powerful impact of the artist, along with more than a dozen of his colleagues. Marvelously organized by Sarah L. Eckhardt of the Virginia Museum of Fine Arts and overseen at the Getty by assistant curator Mazie Harris, it chronicles a pivotal artistic development in the second half of the 20th century that has languished too long in the shadows. Eckhardt’s lavishly illustrated catalog is excellent.
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