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Bill Cunningham
New York, New York, 26 September - 21 November 2020

Bill Cunningham: New York, New York

Past viewing_room
  • Bill Cunningham, Ava Cherry and David Bowie, Grammy Party, March 1, , 1975
    Artworks

    Bill Cunningham

    Ava Cherry and David Bowie, Grammy Party, March 1, , 1975

    Bruce Silverstein Gallery is pleased to announce its first exhibition of works by the photographer Bill Cunningham. Featuring over 80 unique vintage photographs spanning five decades, Bill Cunningham | New York, New York is not just a chronicle of fashion trends from the street to the elite, but a testimony of life in the great metropolis that poignantly bears little resemblance to the city of today, having been an epicenter of a global crisis. During this period of profound isolation and reflection, this exhibition serves as more than a historical document of the rich vitality of New York but as a beacon of hope; a reminder of a life that once was, and will surely return.

  • Born in 1929 and raised in Massachusetts, Cunningham briefly attended Harvard University before moving to New York City to pursue...
    Bill Cunningham, Miss Betty Davis, 1969

    Born in 1929 and raised in Massachusetts, Cunningham briefly attended Harvard University before moving to New York City to pursue a career as a milliner.  After designing hats for a number of years, and working with bespoke retailers Chez Ninon, Cunningham observed women’s fashion trends moving away from headwear.  With this in mind, he then made the prescient transition to journalism.  Working as a columnist for Women’s Wear Daily and as a New York based reporter for The Chicago Tribune in the mid 1960s, Cunningham began what became a lifelong career in fashion journalism.  At first writing columns, and then publishing photographs beginning in 1967, Cunningham spent most of his career working for The New York Times.  However, guarding his freedom as a freelancer close, (he frequently contributed to noted fashion magazines such as Vogue and Town & Country, and helped launch Details in 1982) he did not officially join the staff until 1994.  Cunningham stayed on at The Times until his death in 2016.

    • Bill Cunningham Marion York, c. 1970s Gelatin silver print, printed c. 1970s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Marion York, c. 1970s
      Gelatin silver print, printed c. 1970s
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham 5th Avenue at 55th Street, c. 1980s Gelatin silver print, printed c. 1980s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      5th Avenue at 55th Street, c. 1980s
      Gelatin silver print, printed c. 1980s
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Hats are the big news in Paris, c. 1980s Gelatin silver print, printed c. 1980s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Hats are the big news in Paris, c. 1980s
      Gelatin silver print, printed c. 1980s
      10 x 8 in (25.4 x 20.3 cm)
  • Cunningham was a keen observer of the various intersections of cosmopolitan life. 
    His photographs captured clothing in the three arenas in which fashion is disseminated to the public: haute couture shows, parties and events, and most prominently, the street style of New York City and Paris.  The photographs depict the evolution of trends and attitudes that spoke to politics and moments of cultural transition.  Celebrities and everyday people alike found equal exposure through Cunningham’s lens.  His focus and pleasure was portraying arbiters of taste from Diane Vreeland, Anna Wintour, and Jacqueline Kennedy Onassis to people with distinct style who stood out among the many walking down Fifty-Seventh Street.

  • In the introduction of the 2019 publication Bill Cunningham: On the Street: Five Decades of Iconic Photography, Cathy Horyn, esteemed...
    Bill Cunningham, Jerry Hall, New York City, c. 1980s

    In the introduction of the 2019 publication Bill Cunningham: On the Street: Five Decades of Iconic Photography, Cathy Horyn, esteemed fashion critic and former writer for The New York Times, wrote: “[Bill] chronicled the first wave of women to ditch their heels and commute to work in sneakers, the return of the zoot suit, the phenomenon of low-riding jeans, the vogue for camouflage, and a hundred different ways New Yorkers stylishly brave a storm. He believed that a true portrait of fashion — and, by inference, the times — depended on seeing how real people dressed, whether kids in deconstructed sweatshirts or big spenders at a charity event. The runway wasn’t enough, so he hit the streets every day with his camera.”

    • Bill Cunningham Untitled, New York City, c. 1984 Gelatin silver print, printed c. 1984 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Untitled, New York City, c. 1984
      Gelatin silver print, printed c. 1984
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Lauren Bacall, 1979-1981 Gelatin silver print, printed c. 1979-1981 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Lauren Bacall, 1979-1981
      Gelatin silver print, printed c. 1979-1981
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Untitled, New York City, c. 1970s Gelatin silver print, printed c. 1970s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Untitled, New York City, c. 1970s
      Gelatin silver print, printed c. 1970s
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Linda Winget, c. 1970s Gelatin silver print, printed c. 1970s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Linda Winget, c. 1970s
      Gelatin silver print, printed c. 1970s
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Untitled, New York City, c. 1980s Gelatin silver print, printed c. 1980s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Untitled, New York City, c. 1980s
      Gelatin silver print, printed c. 1980s
      10 x 8 in (25.4 x 20.3 cm)
    • Bill Cunningham Ashford & Simpson, c. 1970-1980s Gelatin silver print, printed c. 1970-1980s 10 x 8 in (25.4 x 20.3 cm)
      Bill Cunningham
      Ashford & Simpson, c. 1970-1980s
      Gelatin silver print, printed c. 1970-1980s
      10 x 8 in (25.4 x 20.3 cm)
  • As evidenced in his “Evening Hours” column for The New York Times, Cunningham seemingly never missed a high society event or party, attending sometimes up to twenty in one week.  He was able to commingle with guests, yet stay separate enough to create compelling and candid images.  However, Cunningham’s “On the Street” column was where the photographer’s eye and instinct – for people, clothes, and accessories – truly captured the verve of both the city that never sleeps and the city of light.  Additionally, much can be said about Cunningham’s humility and generosity.  Witnessing many friends be greatly affected by the AIDS epidemic, Cunningham donated millions to AIDS related charities during his lifetime. 

  • Cunningham’s life and work have been written about in numerous publications, and have been the subject of an award-winning documentary,...
    Bill Cunningham, Untitled, New York City, c. 1980s

    Cunningham’s life and work have been written about in numerous publications, and have been the subject of an award-winning documentary, Bill Cunningham New York (2010) as well as the recently released The Times of Bill Cunningham (2018).  Additionally, at the time of his death, Cunningham left behind the manuscript of an autobiography which he titled Fashion Climbing, which was published posthumously in 2018.  The Bill Cunningham Foundation was established to promote and support Cunningham’s photographs and legacy.

  • Bill Cunningham, Joey Arias and Klaus Nomi, 1980 (Larger version of this image opens in a popup).
    Bill Cunningham, Chance Encounter: Donald Trump, May 25, 1989 (Larger version of this image opens in a popup).
    Bill Cunningham, Pavarotti, Metropolitan Opera, November 12, 1987 (Larger version of this image opens in a popup).
    Bill Cunningham, Untitled, New York City, c. 1980s (Larger version of this image opens in a popup).
    Bill Cunningham, Untitled, New York City, c. 1990s (Larger version of this image opens in a popup).
    Bill Cunningham, Untitled, New York City, 1979-1981 (Larger version of this image opens in a popup).
    Bill Cunningham, Lauren Bacall, 1979-1981 (Larger version of this image opens in a popup).
    Bill Cunningham  (1926-2016)Waldorf Hotel, Paris Ball, October 1980  Dated and annotated 'Waldorf Hotel, Paris Ball' on verso  Gelatin silver print, printed c. 1980  10 x 8 in (25.4 x 20.3 cm) (Larger version of this image opens in a popup).
    Bill Cunningham, Gianni Versace and Richard Avedon attending "Gianni Versace: Signatures" at FIT Museum, November 5, 1992 (Larger version of this image opens in a popup).
    Bill Cunningham, Untitled, New York City, c. 1970-1980s (Larger version of this image opens in a popup).
    Bill Cunningham, Joey Arias and Klaus Nomi, 1980

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