OPENING RECEPTION: JANUARY 22ND, 2026 | 6 - 8 PM
Bruce Silverstein Gallery is pleased to announce Between Order and Chaos: André Kertész and M. C. Escher, an exhibition that brings together two extraordinarily influential artists who each uniquely and independently redefined how visual reality is perceived. Though one worked with the camera and the other with the tools of printmaking, both artists pursued parallel investigations into perception, geometry, and illusion, treating order and chaos not as abstract opposites but as interdependent conditions through which reality is structured and transformed. The exhibition will feature a focused selection of original prints by M. C. Escher alongside vintage photographs by André Kertész spanning his eight-decade career, many of which have never before been exhibited.
Born within four years of one another, André Kertész (Budapest, 1894–New York, 1985) and M. C. Escher (Leeuwarden, 1898–Laren, 1972) each pursued independent paths apart from the dominant artistic movements of their time. Driven by deeply personal ways of seeing that resisted categorization, they approached reality as something open to reorganization and reinterpretation. Both were shaped by displacement and solitude; Kertész moved from Hungary to Paris and later to New York, while Escher traveled extensively through Italy and Spain before returning to a changed Netherlands. From these experiences emerged an outsider’s point of view, enabling each to recognize the extraordinary where others might have seen the ordinary and contributing to a detached yet deeply perceptive engagement with the world.
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M.C. Escher (1898–1972)
Day and Night, 1938
Woodcut on Japan paper
Signed and annotated 'eigen druk' ('printed by myself') in pencil on recto
Initialed and dated in blockImage: 15 3/8 x 26 5/8 in (39.1 x 67.6 cm)
Sheet: 19 1/4 x 31 1/4 in (48.9 x 79.4 cm) -
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André Kertész (1894-1985)
Landing Pigeon, New York, March 2, 1960
Gelatin silver print, printed c. 1960
Signed and dated on recto
Dated and annotated with artist stamp on verso20 x 16 in (50.8 x 40.64 cm)
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André Kertész (1894-1985)
Pont Des Arts, Paris, 1929
Gelatin silver print, printed c. 1970s
Estate stamp on verso
20 x 16 in (50.8 x 40.6 cm)
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M.C. Escher (1898–1972)
Print Gallery, 1956
Lithograph
Signed, dated, and numbered in pencil in middle of print
Image: 12 1/2 x 12 1/2 in (31.8 x 31.8 cm)
Sheet: 16 1/4 x 15 7/8 in (38.7 x 40.3 cm)no. 5/47 II and V-'56 with monogram
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M.C. Escher (1898–1972)
Bond of Union, 1956
Lithograph on wove paper
Signed and numbered in pencil on recto; Initialed and dated in block
Image: 10 x 13 1/8 in (25.4 x 33.3 cm)
Sheet: 14 7/8 x 17 5/8 in (37.8 x 44.8 cm)no. 2/56 III
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M.C. Escher (1898–1972)
Three Spheres I, 1945
Wood engraving
Initialed and dated in block
11 x 6 3/8 in (27.9 x 16.2 cm)
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André Kertész (1894-1985)
Still Life, Drinking Glass with Glass Balls in Window, 1960
C-print mounted to board, printed c. 1960
Annotated on mount verso
19 3/4 x 15 in (50.2 x 38.1 cm)
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André Kertész (1894-1985)
Plate 23, June, 1979
Cibachrome, printed c. 1979
Plate information on verso
10 x 8 in (25.4 x 20.3 cm)
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M.C. Escher (1898–1972)
Contrast (Order and Chaos), 1950
Lithograph on white wove paper
Signed in pencil on recto; Initialed and dated in block
11 1/2 x 11 1/2 in (29.2 x 29.2 cm)
From an unnumbered edition (B/K/L/W 336)
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M.C. Escher (1898–1972)
Puddle, 1952
Woodcut printed from three blocks
Signed and annotated 'eigen druk' ('printed by myself') in pencil on recto; Initialed and dated in block
Image: 9 1/2 x 12 1/2 in (24.1 x 31.8 cm)
Paper: 11 1/4 x 14 1/4 in (28.6 x 36.2 cm) -
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M.C. Escher (1898–1972)
Hand with Reflecting Sphere, 1935
Lithograph on silver paper
Signed and annotated in pencil on recto
Image: 12 1/2 x 8 3/8 in (31.7 x 21.3 cm)
Sheet: 16 13/16 x 12 1/2 in (42.7 x 31.7 cm) -
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André Kertész (1894-1985)
Distortion #91, 1933
Gelatin silver print, printed c. 1970s
Titled and dated with estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #156, 1933
Gelatin silver print, printed c. 1970s
Signed, titled, and dated on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #137, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #154, 1933
Gelatin silver print, printed c. 1960s
Annotated on verso
9 x 6 3/4 in (22.9 x 17.1 cm)
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André Kertész (1894-1985)
Distortion #68, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #76A, 1933
Gelatin silver print, printed c. 1950s - 1960s
Annotated on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #200 A, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #116, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.32 cm)
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André Kertész (1894-1985)
Distortion #60, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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André Kertész (1894-1985)
Distortion #92, 1933
Gelatin silver print, printed c. 1970s
Estate stamp on verso
10 x 8 in (25.4 x 20.3 cm)
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M.C. Escher (1898–1972)
Relativity, 1953
Lithograph
Signed and numbered in pencil on recto; Initialed and dated in plate
10 7/8 x 11 1/2 in (27.6 x 29.2 cm)
no. 19/21
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M.C. Escher (1898–1972)
Up and Down, 1947
Lithograph on white wove paper
Signed in pencil on recto; Initialed and dated in block
19 7/8 x 8 1/8 in (50.5 x 20.6 cm)
From an unnumbered edition Bool (352)
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M.C. Escher (1898–1972)
Convex and Concave, 1955
Lithograph
Signed and numbered in pencil on recto; Initialed and dated in block
Image: 10 3/4 x 13 1/4 in (27.3 x 33.7 cm)
Sheet: 16 5/8 x 18 9/16 in (42.2 x 47.1 cm)no. 62/80 V
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M.C. Escher (1898–1972)
Rippled Surface, 1950
Linocut
Signed and annotated 'eigen druk' ('printed by myself') in pencil on recto; Initialed and dated in block
10 1/4 x 12 1/2 in (25.9 x 31.8 cm)
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M.C. Escher (1898–1972)
Three Worlds, 1955
Lithograph
Signed, numbered, and annotated in pencil on recto; Initialed and dated in block
Image: 14 1/8 x 9 3/4 in (35.9 x 24.8 cm)
Sheet: 16 1/2 x 12 3/8 in (41.9 x 31.4 cm)No. 25/33 II
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M.C. Escher (1898–1972)
Encounter, 1944
Lithograph
Signed and numbered in pencil on recto; Initialed and dated on recto
13 1/2 x 18 1/4 in (34.3 x 46.4 cm)
No. 13/30 (First Printing)



















