Joel-Peter Witkin, Head of a Dead Man, Mexico, 1990, Gelatin silver print with encaustic.
On the occasion of the December 2022 print edition of A.i.A., the Religion Issue, we revisit this article from February 1997 that also explores how religion can play a significant role in shaping artists’ world views and artwork. In this case, Eleanor Heartney considered the link between Catholicism and four artists—Robert Mapplethorpe, Kiki Smith, Andres Serrano, and Joel-Peter Witkin—who became favorite targets of the political and religious right in the 1990s.
