There is something uncanny in how still images, when placed in succession, begin to breathe. In Sequence, at Bruce Silverstein Gallery, stages this alchemy with elegance and restraint, gathering photographic works from across the twentieth and twenty-first centuries that resist singularity and instead insist on rhythm, accumulation, and repetition. The exhibition does not merely celebrate the narrative potential of photography but interrogates the logic by which sequence shapes perception, and how repetition, variation, and juxtaposition allow photographs to think in time.
